I sculpt my sculptures and once the shape has been determined and the whole completely meets my expectations, the design is treated in a special way. Every mosaic and painted sculpture in this material is unique. There is no edition, no mold, nothing. After the treatment I make the drawing on the basic design followed by the party, the colour! The sculptures can be subdivided into ‘mosaic’, ‘painted’ or ‘perspex’.

My paintings are my life story. They show my development, from abstract, busy, to ever quieter. The need for colour is always visible, a clear sign of my hand. Because of the many trips, acrylic paint is a wonderful tool because it dries quickly. I know in every country where I painted it and that has become my logbook. The frame work is a profession apart. So many possibilities and tastes, I like to advise myself on that.

In 1994 I made my first silkscreen and since then I have a close relationship with my regular silkscreen printing. The requirements are high! For example, I do not want any help from computers, printers or other machines when making my silkscreen. Everything must be manually printed. Printing after printing, sometimes 20 colours and each colour separately. The number of my silkscreens is getting smaller and therefore more exclusive.

Working on various art projects is very enjoyable. An application from private individuals or companies is always a challenge. An exchange of ideas, feeling, colour and form. A great result is a compliment at work and the commitment of all those involved in these special projects. For example, I worked on various art projects with Boertiengroep, Holland Media Group, FNV Bondgenoten, KPN, ABN-AMRO, Terre des Hommes, World Wildlife Fund, Royal Shell, Rabobank and Ronald McDonald.